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This article, we use a discourse analytical approach to examine the comments (VB), which is a voluntary and anonymous form of citizenship expression. The Chilean people is to analyse the textual register left in the Visitor Book One way of identifying the effect that this Museum has had on To this historical period within the limited reconciliation that has developed in Located in Santiago, is a place of collective memory which has given visibility The limited legal process regarding the crimes committed by the civicmilitaryĭictatorship in Chile (1973-1990) inhibits democratic coexistenceĪmong its population to this day. For scholars interested in post-1979 Cambodia, the Tuol Sleng Genocide Museum historical visitor books, recently digitised, promise insight into the multiple actors, motivations and understandings of international ‘early responders’ to evidence of Khmer Rouge crimes. It argues instead for attention to Cambodia's early experiences, in which left legal activism – calling for Nuremberg's lessons to be applied to the violence perpetrated in Vietnam and Cambodia – played an important role. While legal investigation of Khmer Rouge crimes is now largely understood through the frame of ‘transitional justice’, this paper rejects such a framing.
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The crisis of post-Khmer Rouge Cambodia, and the political justifications made by early visitors there, illuminate late Cold War cultures of progressive international law scholarship and activism through their constitutive affects and material practices. Fried, a former advisor to the United States' military trials at Nuremberg, was moved to subsequently advocate for United Nations recognition of the then ostracised Cambodian state. In April 1979, a mission of the International Association of Democratic Lawyers made a solidarity visit to Cambodia in the immediate aftermath of Khmer Rouge rule of the country. The paper argues that empathy is an important means for young people to participate in remembering the communist period, and is a means to make “prosthetic” memories of an authoritarian past which they have not experienced first-hand. It argues that empathy is not an automatic response to suffering and instead can be considered as an interaction between the design of the museum and the background knowledge of visitors. The paper explores how both the design and environment of the museum and the background experiences of visitors influenced the development of empathy. However some visitors displayed more “active” empathy (characterized by deeper imaginative and cognitive engagement). Most participants showed a degree of empathy for the victims of suffering but this was usually shallow in nature. This paper explores the responses of a group of young people to a memorial museum in Romania (Sighet Memorial Museum), focusing on how these visitors experienced empathy for the victims of communist-era violence. They also seek to encourage visitors to develop empathy for the victims of communist repression. Many states in post-communist East-Central Europe have established memorial museums which aim to tell the story of suffering under the communist regime. This study provides insights into the interpretive complex by discussing the content of visitor comment books and then reflects upon museum progress toward its stated aim – promotion of international harmony. Overseas visitors provided a wide range of responses, including guilt, reflections upon the war, and criticisms of their own or other governments. Children's comments show that some featured photographs are excessively vivid and terrifying for younger visitors. For survivors, a visit to the museum evokes sad memories of an unforgettable day and its aftermath. Entries in HPMM visitor comment books reflect upon war's cruelty and express wishes for its permanent end. The exhibition's core message is anti-nuclear and supportive of world peace. Photographs and objects belonging to the victims graphically illustrate the effects of the atomic bomb (A-bomb) blast. The exhibition narrative starts with the pre-1945 history of Hiroshima before exploring the bombing and its aftermath. Questions regarding the messages communicated by the museum, emotive conflicts experienced by visitors, and the meanings that visitors glean from museum exhibits are worth further exploration in order to enhance the value of the HPMM to world peace promotion and to healing the wounds of war and prejudice.
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While significant research has examined the 1990s controversy over the proposed Enola Gay exhibition in the United States, no research has yet explored visitor reactions to the traumatic history interpreted by the Hiroshima Peace Memorial Museum (HPMM). Representing and interpreting traumatic history plays a central role in promoting world peace.